Maximum Sound, Minimum Fuss

Unlike ordinary Bluetooth earbuds, the GO Pod Max is built like a high-end audio system. Each pod has its own Cirrus Logic MasterHIFI DAC, powered by Qualcomm’s latest Bluetooth 5.4 chipset. It supports LDAC, LHDC, and aptX Lossless, so whether you’re using Android, PC, or a high-res player, you’re always getting top-tier audio.

It even adapts to your IEMs with auto impedance matching, delivering clean, powerful sound whether your earphones are 16? or 300?.

Power to Drive Anything

From sensitive IEMs to more demanding in-ears, the GO Pod Max delivers serious power with up to 120mW into 32? and 4V output into 300?. Whether you’re using balanced armatures, dynamic drivers, or hybrids, you’ll get the volume, dynamics, and detail your earphones were built to deliver — no dongles, no bulk, just pure performance in a wearable form.

Designed to Fit, Built to Last

Comfort matters — and the GO Pod Max doesn’t compromise. Its ergonomic ear loop design keeps your IEMs secure and stable, whether you’re on the move or settling in for a focused listen. With touch controls, dual microphones for clear calls, and a charging case offering up to 15 hours of use, it’s engineered for everyday practicality, not just peak performance.

Key Features:

• Converts IEMs into true wireless, Hi-Res audio earphones
• Dual Cirrus Logic DACs (one per pod)
• aptX Lossless, LDAC, LHDC, AAC, and more
• 120mW output @ 32?, 4V @ 300?
• Auto impedance matching (16/32/64/300?)
• Touch controls and dual microphones with noise suppression
• Up to 15 hours battery life (5hr + 10hr charging case)
• Comfortable and secure wearable design

Cut the Cables, Keep the Magic

With the GO Pod Max, you don’t have to choose between convenience and quality. It brings uncompromising sound, smart features, and wearable comfort into one elegant solution. Whether you’re upgrading your IEMs or unlocking their full potential on the go, the GO Pod Max proves that true wireless can be truly high-end.

Interested in iFi Audio? Read more news and reviews here!

The post GO Pod Max: The Wireless Upgrade Your IEMs Deserve appeared first on HiFiheadphones.

Go Wireless, Without the Compromise

Inside each pod is a finely tuned Hi-Fi signal chain:
A Qualcomm QCC514x Bluetooth 5.2 chipset ensures stable, high-quality streaming, while a dedicated Cirrus Logic DAC delivers clarity and dynamics that outperform standard TWS earbuds. Balanced amplification and auto impedance matching adapt the output to your IEMs automatically. So you always hear them at their best.

Smart Fit for Every IEM

Not all in-ear monitors are created equal and the GO Pod Air knows it. With auto impedance matching that was mentioned above, it intelligently adjusts its output to suit your IEMs. Just put them into the charging case and the GO Pod Air automatically detects and sets the optimal level. No settings, no guesswork. Only the best possible performance from your favourite IEMs. Every single time.

Codecs That Keep Up

No matter what device you’re using, the GO Pod Air speaks its language. They support a wide range of Bluetooth codecs including; LDAC, LHDC/HWA, aptX Adaptive, aptX HD, AAC, and SBC. You’ll always get the best sound quality your source can offer. Whether you’re after high-resolution detail or ultra-low latency for video and gaming, the GO Pod Air ensures your audio stays crisp, clear, and in sync.

Key Features:

• Converts IEMs into Hi-Res wireless earbuds
• Supports LDAC, LHDC, aptX Adaptive/HD, AAC, and SBC
• Hi-Fi circuitry with Cirrus Logic DAC and balanced output
• Touch controls and dual mics with noise and echo suppression
• IPX5 water resistance for gym, rain, and everyday use
• Up to 7 hours playback, 15 hours with charging case
• Lightweight and pocket-friendly: 10g per pod
• Auto impedance matching (16? / 32? / 64?)

No Strings Attached

The GO Pod Air delivers exceptional wireless audio regardless whether you pair them with a phone, tablet, or laptop. Offering extreme comfort, fluid control and convenience all in a featherweight design. You can take them anywhere with you and leave your cables behind.

Interested in iFi Audio? Read more news and reviews here!

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Best Headphone Amp 

iFi Audio iCAN Phantom – £3,749.00

The iCAN Phantom is the jack of all trades and the master of them all. It delivers unmatched versatility, combining top-tier solid-state and tube amplification with cutting-edge XSpace and XBass customization. It is also an Energizer. Pure end-game gear. Perfect for audiophiles, it powers any headphones with effortless precision and offers stunning sound.

Best Headphone DAC/Amp under £100

iFi Audio Go Link Max – £79.00

The all new iFi GO link Max delivers studio-quality sound with up to 241mW of output power—nearly five times that of a MacBook Pro—driving demanding headphones with ease. Compact, portable and versatile, it’s the perfect upgrade for immersive, high-fidelity audio anywhere. An upgrade over the original in every way, this is a must have for anyone who owns wired headphones.

Best Headphone Amp £100-£300

iFi audio Zen CAN 3 – £229.00

The iFi ZEN CAN 3 offers stellar sound and versatility, perfect for music, gaming, and movies. With excellent build quality and performance, it’s the standout entry-level amp and punches well above its selling price.

Best Headphone Amp £300-£1000

iFi Audio Neo iDSD 2 -£899.00

The iFi Audio NEO iDSD 2 is a versatile all-in-one home audio solution, offering improved performance, user-friendly features, and a powerful amplifier with IEMatch. It delivers a neutral, balanced sound that enhances any audio setup, making it perfect for those seeking high-quality sound without the need for extra equipment.

Best Wireless Headphones with ANC under £100

1More SonoFlow HQ50 – £89.99

The SonoFlow HQ50 is a fantastic product priced under £100. Boasting up to a 70-hour battery life, QuietMax ANC technology, a DLC 40mm driver and featuring 12 EQ modes, it delivers premium sound and comfort at a budget-friendly price—challenging pricier rivals like Sony and Bose.

Best True Wireless for Sound Quality

Final ZE8000 MK2- £199.00

The ZE8000 MK2 combines striking aesthetics with top-tier performance. They deliver sound quality that rivals the best wired earphones as well as providing all the modern features you’d expect from TWS earphones. The distinctive shape of the buds also provides insane levels of comfort and the app is a treat to use. The ZE8000 MK2 is a great overall package.

Best Wired Earphones under £50 

SoundMAGIC E11C Silver – £39.98

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. Perfection? Not quite. But at £40 you will struggle to find a similar product worthy of your investment. – Full Review

Best Wired Earphones £100-£300

Final A5000 – £259

The Final A5000 IEM delivers exceptional sound quality with powerful tight bass, stunning mids and highs, all at an affordable price of £259. A perfect choice for those looking for an upgrade within this price range.

Best Wired Headphones Under £100

SoundMAGIC HP151- £88.99

The SoundMAGIC HP151 offers exceptional clarity and precision, letting finer details in your music shine. Durable, comfortable, and priced just under £90, it’s a fantastic choice for those seeking great sound from a wired headphone without breaking the bank.

Best Wired Earphones £1000-£2000

64 Audio U6t- £1,299.00

For the price, 64 Audio have created a brilliant everyday earphone that allows great insight into the recording with superb clarity and detail retrieval, wrapped up in a smooth, coherent and easy to listen to sound. They are such an easy earphone to live with. Providing a comfortable fit and refined sound that many fail to match. This is proof that 64 Audio really do know what they are doing when it comes to sound. A superb model for the price.

Best Wired Earphones £2000+ 

64 Audio tia Fourte – £3,599.00

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

Best Wired Studio Earphones 

Etymotic ER-4SR – £305.95

If you are looking for neutrality, the ER-4SR are the industry standard – they do not flatter you with a smooth sound or hide any mistakes in recordings, so not great for everyday listening but superb if you want to hear every detail.

Best Wireless Headphones

Audeze Maxwell- £319.00-£349.00

• The Audeze Maxwell the best gaming headset currently on the market, but it is also superb for listiening to music too. It offers uncompromising audio quality with its planar magnetic drivers, delivering deep bass and clear mids, all in a comfortable, wireless design. An exceptional 80 hour battery life, and the ability to create and store custom EQs for different genres, it’s perfect for those seeking a pair of high-performance wireless headphones for fully immersive listening. – Full Review

Best Headphones £100-£500

Audeze MM-100 – £399.00

The Audeze MM-100 can be driven by just about any source, making it ideal for on the go. It delivers stunning transparency and musicality, especially when paired with a quality setup, completely outperforming anything else in its price bracket at just £399. Perfect for audiophiles and studio use alike, it has unbeatable value.

Best Headphones £500-£1000

Audeze LCD-2 Classic – £799.00

The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. Full Review

Best Headphones £1000-£3000 

Final D8000 – £2,999.00

Instead of going for the usual neutral-ish sound signature of most high-end models, Final instead decided to make the D8000 enjoyable, with very punchy and dynamic bass and impressive clarity across the board, the D8000 stand out from the crowd.

Best Headphones £3000+

Audeze LCD-5 -£3,999.00

The Audeze LCD-5 is a masterpiece of audiophile engineering, delivering unmatched clarity, precision, and emotional depth to your music. Audeze’s Flagship LCD has a lightweight magnesium frame and the premium materials ensure long-lasting comfort, while the cutting-edge planar magnetic drivers reveal every nuance in your favorite tracks. For those seeking the pinnacle of sound reproduction and a transformative listening experience, the LCD-5 is still there, in a league of its own. Full Review

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64 Audio Aspire 4 – World Class Sound & A New Direction

At first glance the most obvious difference of the Aspire 4 to the rest of 64 Audios UIEM line up is its shape and overall look. Whether you’re just getting into monitoring with in-ears, not ready for customs, need a backup set, or simply prefer generic fitting products. 64 Audio guarantees the Aspire 4 offers best-in-class sound and ergonomic fit. In addition to this, unlike their other UIEMs (U4s, U12t, Fourté, etc) the Aspire 4 is built with an ABS molded shell and a stainless steel tip. Finally it’s also built with an IPX (or T2) socket as opposed to a 2-pin socket that is feautred with all their other UIEM’s.

How does it differ from other Four-Driver models like the U4s and Fourté?

Along with the redesigned form factor and shell materials, the Aspire 4 is 64 Audio’s only four-driver model that is crossed over 3-ways (lows, mids, highs). As opposed to the other models that are 4-way crossovers. While Aspire 4 doesn’t use 64 Audios tia driver for the highs, they have developed a revolutionary waveguide to bring its highs to their incredibly high standards. Furthermore, it is also the only UIEM specifically designed and tuned for musicians and live-audio professionals as opposed to audiophiles and high-end audio enthusiasts.

“With live music at the forefront of our tuning criteria do we make a highly accurate unforgiving studio monitor or a contoured device that helps musicians hear themselves more effectively? As with many of our monitoring tools the answer is somewhere in the middle. Huge bass that can reproduce some of the toughest frequencies in the audible spectrum with quick ease. Forward mids that are precisely elevated for articulation in the most vital region of instruments and voices. Plenty of top end sparkle really separates Aspire 4 from any other UIEM in its class, making this powerful sound signature a perfect blend of accuracy and musicality.”

64 Audio

Key Features

• Hybrid drivers deliver dynamic lows, nuanced mids, and sparkling highs
• Same technology as 64 Audio custom in-ear monitors
• Ergonomic design prioritizes comfort without sacrificing performance
• Apex Core Technology reduces ear fatigue with -20dB noise isolation
• Linear Impedance Design ensures consistent sound across devices
• Custom Waveguide enhances driver efficiency for clear sound

64 Audio Aspire 4 Specifications

• Material: Moulded ABS Shell + Stainless Steel Nozzle
• Driver Type: Dynamic + Balanced Armature
• Driver Configuration: 1 low DD, 2 mid BA, 1 high BA
• Frequency Response: 20Hz – 18kHz
• Sensitivity: 104 dB/mW @ 1kHz @ 1mW
• Impedance: 11? @1kHz
• Crossover: Integrated 3-way passive crossover
• Isolation: -20dB apex core® technology

Release Date and Pricing

The 64 Audio Aspire 4 is available now for £899.00!

Interested in 64 Audio? Read more news and reviews here!

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Trifecta ‘Astral Plane’: Packaging sent from above

Firstly, let’s talk about the packaging. Campfire Audio want to offer the ultimate user experience as soon as their IEMs are unboxed, and this is certainly the case with the new Trifecta. The box is made out of wood and can be transformed into a display stand for your earphones. Just attach the brass hand to the backplate and you have an angelic design, holding the Trifecta ‘Astral Plane’ up to the heavens.

Inside the box you get two carry pouches, useful to store the IEMs as well as the extra cables that are also supplied. The cables are Campfire’s new Time Stream design, provided with 2.5mm, 3.5mm and 4.4mm termination options. There is also an impressive amount of eartips provided with silicone and foam options is all sizes.

Beautifully constructed

Now for the earphones, and this new Trifecta is a work of art. They resemble luxury jewellery as much as high-end IEMs. The new ‘Astral Plane’ version comes with a blue tint to the transparent housings which somehow makes them look clearer and ties in very well with the artwork that comes along with this model. Images of a beautiful blue sky. Peering through the glass-like outer shell, it is amazing how much of the internals are on show. It looks so neat in there. Inside the housing, Campfire Audio has placed three custom 10mm full-range dynamic drivers in a triangle configuration. This is stunning, and completely unique.

Comfort is key

The shape of the housings are surprisingly comfortable considering they are on the large side due to the three dynamic driver inside. This level of comfort must be down to the shape of the housings and the expert build quality as weight balance is spot on, allowing the earphones to sit securely in my ears. I personally prefer the silicone tips, and I found a great fit with the large ones. Definitely try the silicone and foam tips in order to find your best fit and sound, as the material of the tips does impact the audio tuning.

Trifecta ‘Astral Plane’ – How do they sound?

As for the tuning, Campfire Audio has gone for fun, fun, fun. It is unusual for an IEM brand to have their flagship model be this much fun. The Trifecta ‘Astral Plane’ has one job, and that is to put a smile on your face. The three dynamic drivers do exactly what you would imagine them to do. Bass is luscious and moreish. I’m so impressed with how Campfire Audio managed to harness the power of this driver configuration without allowing it to go out of control. The bass is big and enveloping, yet it is also controlled and manages to stay out of the way of the higher frequencies. The richness doesn’t stop at the bass, the mids are equally moreish. There’s a warm tone that makes guitars, vocals and snare drums pour into my ears like liquid gold. I almost feel naughty enjoying these earphones. Surely music isn’t supposed to sound this delicious.

Other Features at a Glance:

• Three custom 10mm ADLC diaphragm gold-plated dynamic drivers
• Ultra light and rigid ADLC Diaphragms
• Optically clear nylon body styling
• Transparent Housing with Gold PVD Accents
• Time Stream Cables with 3.5mm, 2.5mm and 4.4mm terminations
• Dimensional Folding leather carrying case
• Stainless steel spout and MMCX capture
• Custom beryllium copper MMCX components 

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Solaris ‘Stellar Horizon’: Improved Ownership Experience

In terms of packaging and presentation, this 2023 version of Solaris has had the same treatment as the Andromeda. Provided in a new box made from lightweight wood that acts as a display unit once opened. The level of detail here is so impressive, with striking artwork and even an elegant hand which is used to hold the earphones when not in use.

As for accessories. You get an impressive bunch of silicone and foam eartips in a range of sizes. My personal favourite is the large foam tips for the Solaris, and the rest of the review will be written using these. Do make sure to try all tips provided so you can find the best comfort and sound quality for you, as eartips play a big role in both. You also get three new ‘Time Stream’ silver plated copper cables in a range of terminations: 2.5mm, 3.5mm and 4.4mm.

Two carry pouches are also provided, one leather and one material. Having two really makes sense here, as you can use one to keep your earphones safe and the other to store your extra cables and any other accessories that you would like to keep secure.

Strikingly Compact

Now for the earphones. The Solaris ‘Stellar Horizon’ has a very similar shape and size to the previous version of Solaris, providing a compact design that sits nicely in my ear. The housings are made using brushed stainless steel which looks great, especially along with the gold and black faceplate which is striking and really stands out.

Brand New Technology

Internally there have been big changes too. Campfire Audio has developed new technologies for the Solaris ‘Stellar Horizon’, with custom dual-diaphragm balanced armature drivers and their new radial venting which surrounds the 10mm dynamic driver. The configuration consists of three custom dual-diaphragm BAs and one 10mm ADLC dynamic driver inside each housing.

Solaris ‘Stellar Horizon’ – How do they sound?

The Solaris ‘Stellar Horizon’ has a sound that I haven’t experienced before. They are the realest sounding IEMs I have heard. If I didn’t know better, I would assume that the audio was coming from a huge acoustically treated chamber filled with musicians all playing just for me. Bass sounds real. No boom or overdoing it. Mids sound real. The tone, texture and timbre match exactly with my experience of listening to drums, guitars and vocals being performed live and in person. This is something I haven’t heard before from any set of IEMs. There’s an edge to each sound that is so pleasing, and the Solaris delivers audio quickly and clearly. Highs extend endlessly and help to create space which provides an impressively wide and deep soundstage. The overall experience seems so effortless that it would be easy to assume that the earphones are doing nothing, and that’s the beauty. It’s like a great actor. The best ones seem as though they aren’t acting at all.

The post Campfire Audio Solaris ‘Stellar Horizon’ Quad Hybrid IEM Review appeared first on HiFiheadphones.

Andromeda ‘Emerald Sea’: Improved Ownership Experience

Not only have the earphones been given a makeover, the entire ownership experience has been enhanced. The main addition here is the wooden presentation box that the Andromeda is packaged in. Reminiscent of a cigar box, this packaging is like no other. Remove the lid and slot it into the base, then attach the bronze hand and you have the most original earphone presentation stand I have ever come across. In the words of Campfire Audio, nicely done.

As for accessories, the selection provided is equally impressive. You get a wide range of eartips with a mixture of foam and silicone. You get two carry pouches. One for the earphones and one to store the extra cables that come with the Andromeda. Campfire Audio has included three Time Stream cables: 2.5mm, 3.5mm and 4.4mm. These new cables feel great and house silver plated copper conductors. Providing three shows how dedicated Campfire Audio is to the experience.

Complete Re-Design

The earphones themselves is where Campfire Audio really make their statement. Gone is the severe, angular shape of the old Andromeda. For the ‘Emerald Sea’, the housings are smaller, smother and more streamlined. This is also a new shape for Campfire Audio, and this really adds to the comfort of the earphones. This shape works perfectly for me, nestling nicely into my ears with no feeling of pressure even after a long listening session.

Low distortion and superior stability.

Internally, the engineers have also gone to work, using brand new drivers and also redesigning the interior chamber. Five custom, dual-diaphragm balanced armature drivers are housed inside each earphone. These drivers have been chosen for their low distortion and superior stability. These drivers have been placed within a newly designed internal 3D-printed chamber.

Less Sensitivity. More Flexibility.

Another change that I think is worth mentioning is that the Andromeda ‘Emerald Sea’ is less sensitive than previous Andromeda versions. This is a big change, as one of the issues I found previously is that the Andromeda was always very picky about which devices it worked well with, and part of that pickiness was down to its sensitivity. The new ‘Emerald Sea’ is less picky, meaning there will be more people out there who can enjoy this stunning earphone.

An overall more balanced and believe it or not; an even more enjoyable listen.

Andromeda ‘Emerald Sea’ – How do they sound?

Now, what does all of this mean? The result of this overhaul is a listening experience that has taken an already sublime sound provided by the older Andromeda, and added a new layer of fluidity and finesse in the ‘Emerald Sea’. Bass is as present as ever, this time with an improved roundedness and coherence which allows the mids to sound more effortless than before, especially in the higher end.

This Andromeda has kept the organic quality that made has made the Andromeda so successful over all these years, yet there is something new here, a new smoothness in the higher peaks which now allows other frequencies to show themselves even more for an overall more balanced and believe it or not; an even more enjoyable listen.

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CanJam London 2022 Update: It’s that time of year again!

We are very excited to be attending CanJam London 2022 on July 30th and 31st at Park Plaza, Westminster Bridge.

We will of course be attending with some of our favourite brands and showcasing some of their amazing products. From new releases to old favourites, it is going to be a blast.

Undoubtably, this will be a CanJam to remember. Due to the Covid pandemic, we have been without the show for the last few years (check out our review/ interviews from the last one in 2019 here). We are absolutely frothing at the bit to get amongst the action again! Indeed, CanJam is the place to try all of the best headphones, earphones, DACs, AMPs, DAPs and IEMs under one roof with likeminded people. Obviously we are all there to discover how best to listen to our favourite recordings.

To celebrate, we are running a sale on our brands that are going to CanJam London 2022! Make sure to check out our sale page over on Hifiheadphones for big discounts for a limited time only:

Hifiheadphones CanJam London 2022 Sale

Not only is this a chance to try out these amazing products. It’s also your chance to meet the people behind your favourite brands. Here is a list of just a few brands attending CanJam London 2022:

Audeze, 64 Audio, Focal, HifiMan, Campfire Audio, final, Rupert Neve, Burson, Westone, Chord, Roon, dCS, Meze, Rosson Audio and many many more.

CanJam Sneak Peek Time with Important Updates

As a matter of fact, the reason for this is to give you an idea of what brands we will be representing at CanJam 2022. Below are also some of the products you can expect to see.

Audeze

Audeze are going big this year. In addition to six tables of goods (SIX!) showcasing lots of favourites, there is also a very special newcomer! On show will be LCD-5. CRBN, LCD-X, LCD-XC, LCD-3, LCD-2 Classic. Euclid, Penrose and the brand new MM-500. All products will be powered by some of the finest equipment from the likes of Chord, Burson, Weiss and Eksonic.

Campfire Audio

This year, Campfire Audio is all about the Trifecta! Don’t worry though. There will be enough for everyone to try this new, completely unique IEM from one of the most interesting audio brands of today. For those that want to try other legendary favourites, we will also have Andromeda, Holocene and Supermoon samples there too.

final / Hifonix

Also, our friends over at Hifonix will be showcasing the brand new final D8000 Pro Limited edition. In all of it’s stunning, goldlike lovlyness, it is going to be a crowd pelaser. Certainly make sure to make your way over to their table to check out this rare, majestic work of headphone art!

64 Audio

You can meet the 64 Audio team this year as well as and try some of their finest IEMs. Absolutely make sure to check out the U6t, DUO, U12t, Tia Fourte, U18s, Nio and even more (these are only the universals) from the worlds best pro and custom IEM specialists.

Burson

Burson will be supplying headphone amps and DACs to a number of our brands this year. So you will not only get the chance to try out their incredible products, they will be paired with some of the best headphones in the world!

Westone Audio

With the recent release of the MACH Series of IEMs. Westone Audio will be showcasing the full range at this years CanJam. This is a rare opportunity to test out all 8 models in this impressive and diverse line-up.

Lastly but not Finally..

To celebrate the return of CanJam London, we will also be having a special CanJam 2022 page setup on Hifiheadphones with exclusive offers on some of the best products showing at this years event. Be sure to check out the CanJam 2022 Special page on Hifiheadphones from 30th July to 1st August to get some amazing deals on the best audio gear out there!

The post CanJam London 2022: News, Sale and Best Headphones Guide appeared first on HiFiheadphones.

Aesthetics and Build Quality

Campfire Audio’s Andromeda is about as bold as you can get when it comes to its design. The housings are made from machined aluminium, with a deep forest green anodised finish. The finish has been updated in this new version of the Andromeda, with a much smoother coating and a slightly richer shade of green.

The sound tube is made using stainless steel, which I am sure not only benefits the acoustics. It looks very striking too. Overall the Andromeda feels robust and built to last, while managing to stand out with its unique character.

Features and Comfort

Campfire Audio earphones have a very distinctive look, and the Andromeda is their champion. The design is very unusual, with a slightly futuristic shape to them. The shell’s design allows it to catch the light at different angles, which gives off a multitude of different shades of green. That is not the only purpose of this shape, the angled design provides superb comfort. The Andromeda sits perfectly in my ear, and with the included Final silicone eartips – the fit is snug and they seal extremely well which also helps towards isolation.

Another great feature of the Andromeda is the supplied cable. An upgrade on the older version, this time the Andromeda comes with their popular Silver Plated Copper Litz wire covered in a new smoky jacket. The cable is also more flexible than the previous version and uses a lightweight moulded ear hook design instead of memory wire – a definite improvement.

Campfire Audio don’t stop there, the Andromeda comes supplied with a newly designed leather carry pouch, foam and silicone eartips, a cleaning tool and even a fancy Campfire Audio lapel pin.

Sound Quality

The best way I can describe the sound of the Andromeda is organic. Sound comes across effortless, well balanced and with an impressively natural soundstage.

Bass

Bass comes across with authority and punch. It goes low and manages to keep controlled, even with more bass heavy tracks. Bass performs equally well with intricate instrumental, heavy rock and electronic music. This shows that the bass has been tuned to do what is needed, letting the quality of the production do the talking.

Midrange

Thanks to the controlled bass, there is no risk of the midrange getting over shadowed. Mids come across extremely clear with a musical richness – this is a welcome change from the analytical sound that is common amongst high-end earphone models. Vocals have presence and whether male or female, they sound uncoloured, engaging and with emotion.

Treble

Campfire Audio uses their very own Tuned Acoustic Expansion Chamber in the Andromeda, designed to improve treble extension and soundstage. This is very clear and noticable. Thetreble provides just the right amount of definition without going harsh or sibilant. Then, in addition the extension provided by the T.A.E.C. goes on and on, creating width and space with superb separation.

The post Campfire Audio Andromeda IEM Review appeared first on HiFiheadphones.

Fit and Comfort

Those familiar with Campfire Audio will know the shape. It is common amongst their models with an angular outer shell and smooth inner. With a long-ish nozzle that really helps you get a good fit with them. I find this design works well with most people, they certainly fit me well which is always a bonus.

Once you find the right tips for your ears, the Holocene fit comfortably due to well designed housings and good insertion depth. The cable is also soft and fits over your ears easily without stiff memory wire.

Compatibility

These are quite a picky earphone when it comes to matching them with the right source. Their sensitivity is quite low (94dB SPL @1kHZ – mVrms). However they have very low impedance (5.4 Ohms @1kHZ). This means they need some careful system matching. You really do need a player with less than 1 Ohm output impedance for these. Otherwise they will not sound how Campfire Audio intended them to.

Bass:

The Holocene puts focus on accuracy yet never comes across as thin or lean in it’s presentation. This is when paired with the correct source that is. It is very controlled and articulate and it doesn’t put a foot wrong, even during the most complex of tracks. The low end is expertly separated from the midrange, not allowing it to influence the overall tonal balance. It digs deep in terms of extension but it isn’t exaggerated. Bass guitars are easy to follow in the mix. Kick drums hit with authority and body yet never sound bloated. There is perhaps a tiny bit of added body from the low end, but it is subtle and just makes the Holocene a little more fun and engaging without sounding overly full.

Midrange:

Due to the lack of bleed from the low end, the midrange is incredibly clean and crisp. Male vocals don’t get any added body which helps them cut through with great tonality. I would say the Holocene has a very mild U-shaped signature. The midrange isn’t up-front and intimate and it sits ever so slightly behind the bass and treble, but it isn’t overly recessed. There is excellent detail and layering in the midrange. Things never get muddled and it is always easy to pick apart the different layers within the mix. Contrary to many earphones, the Holocene don’t boost the upper mids. This means female vocals are not pushed to the front. In fact they actually have a slight recession to prevent sibilance. Personally this slight recession in the upper midrange robs them of a little energy but it does prevent them from being peaky and sibilant.

Treble:

The lower treble is slightly muted, which does take away from the sound a little bit of energy. But there is good presence higher up which does add good air and extension. These are not as exciting as the Andromeda and are definitely lacking a little bit of the treble energy of that particular model. However, those looking for a good all rounder that is a little easier on the ears and more forgiving of certain recordings will do well with the Holocene.

Soundstaging and Genres

The soundstaging on the Holocene is good. There is a good sense of air and space around instruments. The layering and instrument separation on the other hand is excellent. The sound is well controlled and this allows you to pick apart the mix with ease, even during complex tracks.

Genre wise these are an excellent all rounder. They won’t appeal to those looking for lots of bass so EDM and the likes are not their main focus. But for metal, jazz, acoustic, alternative rock, indie etc… they all sound excellent through the Holocene.

Who is it for?

• Those looking for a detailed and clean sound signature
• Those wanting a good all rounder that isn’t fatiguing

The post Campfire Audio Holocene Triple Driver IEM Review appeared first on HiFiheadphones.

All the new MACH models come with the T2 connector from Linum, and all of them come with Linum cables too. These are substantially better than older MMCX connectors and are more durable in a wide range of environments.

The MACH10 is a single BA model with a focus on detail, the sound signature is flat and accurate and using them with foam tips will make the sound a little more “natural”. This is the entry level model and is suited to those who don’t want an overly coloured sound.

The MACH20 is more balanced sounding with more neutral bass than Mach10, however they do have a slightly mid-forward sound that brings vocals and guitars into focus. Again they have aimed for a clear and detailed sound with the first two models.

The MACH30 changes this a little, with a more energetic sound signature – they have a subtle lift in the bass and some upper midrange forwardness. This leads to a slightly more fun, yet still well balanced sound signature.

The MACH40 goes for a warmer sound, one for those who enjoy full bodied and organic sound, the mid-bass has added punch whilst the mids and treble take a step back. They also have a slightly more direct sound, the soundstage is more focussed and less open than some other models in the series.

The MACH50 goes for a smooth, open and natural sound – it doesn’t have any fatigue inducing traits and focuses on an organic presentation that is the perfect “everyday” earphone. It has a slightly forgiving sound that doesn’t make poor recordings sound bad, this could be quite the hit for many people.

MACH60 has reference-like characteristics but with ever so slightly elevated bass and treble, the soundstaging is very holographic and these offer up a wide and balanced sound. The treble is crisp, the midrange is smooth and natural and the bass has great punch, a superb all-rounder.

MACH70 has been made with a mild W-shaped signature, with great mid-bass punch, well presented midrange and effortless treble, these are punchy and fun yet well controlled and resolving. The soundstaging again being a highlight with their open sound and excellent separation.

MACH80 is the flagship model in this range, and it’s tuned to be an audio tool. Westone state the Mach80 has no obvious colouration, it is designed to be a flat sounding reference model.

This range looks quite interesting with plenty of different sound signatures to suit different tastes – we can also expect excellent comfort, as this is one area where Westone always do well. We have all of these ready to demo, so book an appointment to be one of the first to hear this new range of earphones.

Available to order NOW

The post Westone MACH Series Release appeared first on HiFiheadphones.

Campfire have released the Supermoon, a Planar Magnetic custom IEM; they are a brand that often takes risks, be it in design or sound signature. It is notoriously hard to make a small planar sound good, and offering it in a custom fit earphone makes it even more interesting, Campfire Audio have done this so they can optimise the performance of the driver for each individuals ear shape.

Campfire Audio have tuned the Supermoon to sound coherent and balanced, but I would not say they are a studio neutral sounding earphone, with a mild sub-bass lift and effortless treble they are mildly u-shaped without making vocals sound recessed. We have a demo set in universal fit, so book an appointment if you want to hear these (they will also be at CanJam London).

Campfire Audio offer two different fit options, artist-fit and audiophile-fit, with artist fit offering up a more traditional deeper fit and audiophile offering up a more comfortable fit due to a shorter nozzle, perfect for long listening sessions.

Campfire Audio use a unique Solid-Body design – When crafting the solid body of the earphone, the design is 3D printed as a single component before being meticulously hand-finished. Putting the work into the earphone design before the print means the only moving part in Supermoon is the diaphragm. This also means that the earphones you will receive will be a robust and reliable partner.

Full Details HERE

Buy them now: https://www.hifiheadphones.co.uk/products/campfire-audio-supermoon

The post Campfire Audio Release Supermoon Planar CIEM appeared first on HiFiheadphones.

The OV800 are handmade, this means there is a high level of attention to detail and each set are a masterpiece. The driver setup consists of 2x BA woofers, 4x BA midrange drivers and 2x BA tweeters. The woofers are from Knowles while the mid and high BA drivers have been produced in-house to Oriveti’s desired specifications. This is impressive, and has allowed Oriveti to really tune the sound of the OV800 to their specification.

The OV800 come with all-new stained wood faceplates, these look incredible in person and are sure to stand out in your collection. The new 8-wire SPC cable is supple and comfortable in use and elevates the sound too. The port on the earphones alleviates listening fatigue along with improving the soundstage, with out impacting the excellent isolation these provide.

The sound is tuned to be smooth and resolving, much like the O800, but this time Oriveti have incorporated tuning switches. These allow you to add a little more sub-bass presence for a warmer sound, or a little added treble brightness for increased presence and clarity. You can also turn both of these on for a slightly more v-shaped sound signature – so you can choose what you personally prefer.

You’ll be able to own a pair very soon: https://www.hifiheadphones.co.uk/products/oriveti-ov800-eight-drivers-balanced-armature-iem-earphones-with-sound-mode-switch-and-detachable-cable?

The post Oriveti OV800 – Product Release appeared first on HiFiheadphones.

Fit and Comfort

The Nio are the same shape as the rest of the 64 Audio universal line-up, which have quite an interesting shape and is a tried and tested design. Offering up smooth edges with a good length nozzle for a secure fit and great comfort. Once you settle on the right size tips for your ear canals, they fit securely with the new included cable being more ergonomic and comfortable.

Compatibility

With high sensitivity (105db dB/mW) and low impedance (6? @1kHz) the Nio are easy to drive out of most sources, and they use 64 Audio’s LID technology which means the sound signature shouldn’t drastically change beween sources. This isn’t to say they don’t benefit from higher end sources though, as things like resolution and detail are important and they definitely scale up with better source equipment.

The Nio use 64 Audio’s apex modules, these help relieve internal ear pressure along with offering different levels of isolation and also slightly different sound signatures. Normally you get an M15 and M20 module, which offer 15dB and 20dB reduction in outside noise respectively, by new for the Nio is the MX module which offers a mere 10dB reduction of outside noise. The more isolation, the more bass is the rough rule of thumb, and the lower the isolation the more open and airy the sound is.

Sound

Bass:

The low end on the Nio is very dynamic and depending on the module used you can range from full bodied to neutral in presence. One thing that always stands out on 64 Audio models is how well controlled and refined the sound is. They can offer up more than enough punch to satisfy most needs but the bass never becomes bloated. It offers a solid foundation for the rest of the sound, and is very articulate. There is great depth to the Nio, and the use of a dynamic driver here works really well here. The M20 module gives you a slight lift in sub-bass and moderately more mid-bass punch over the M15 which is more linear and the MX which is very controlled and not boosted. One thing that stands out here is the coherency and fluidity of which the bass blends in to the midrange.

Midrange:

Depending on the module used the lower midrange changes slightly, with the MX giving the most neutral and least coloured presentation whilst the M20 adds a little body and smoothness to the lower midrange that makes things sound a little fuller. The Nio has excellent control overall and the midrange is crisp and clean, yet tonally accurate. There isn’t any peak in the upper midrange to bring out sibilance, instead you get a linear and intimate insight into the recording. The layering is good and you can easily pick apart the recording without any difficulty. The MX definitely sounds like it reveals a bit more micro-detail over the M20, so it greatly depends on your personal preference.

Treble:

64 Audio are using their usual tia driver up top and these drivers really do offer up excellent resolution and an openness that other BA drivers fall short of. The M20 gives the smoothest sounding treble due to the increased bass response but it still has good presence and resolution. Using the MX still gives the most open and airy treble as would be expected but it never falls onto the side of being harsh or bright. There is refinement up top without sounding too present, yet there is excellent detail retrieval and effortless extension on hand. Overall the treble is always present, allowing the Nio to sound well balanced without any fatigue inducing spikes.

Genres and Soundstaging

The Nio is a superb all-rounder, due to the different Apex modules. The M20 giving you a full bodied sound with good impact while the M15 gives a well balanced and refined sound. In addition, the MX giving a close to neutral presentation without much emphasis on any part of the spectrum. This means they play well with pretty much anything you throw at them, the control down low and the layering means they don’t sound congested with complex mixes either.

The soundstaging varies slightly with the modules, with the MX giving the most air and space. But overall it is wider than it is tall and there is good separation between instruments and layers.

The post 64 Audio Nio Review appeared first on HiFiheadphones.

Fit and Comfort

The Oriveti O400 have a similar shell design as all the newer O and OH series from Oriveti – a hand crafted resin shell that is smooth and very well finished that has a fairly short nozzle which allows for a shallow to medium insertion depth. They fit well in the ear, but the housings are not the smallest and will stick out a little for those with smaller/odd shaped ears like me.

Comfort is good, the housing shape really helps with this as there are no sharp edges that dig in to your ears, also the nozzle is a good angle and lenght to fit most people securely without the insertion depth being too intrusive. The cable has a pre-moulded section of memory wire which is very comfortable, and the cable is soft and comfortable in use.

Compatibility

The O400 uses 4 Balanced Armature drivers, they are Knowles drivers and split between ultra-low/low-mid/mid-high/high frequencies. The O400 have an impedance of 15Ohms and a sensitivity rating of 110+-3dB/mW @1000Hz – this means they are very easy to drive however being an all BA based model it is best to pair them with a source that has less than 1Ohm output impedance to get the best out of them.

Sound

Bass: The O400 have 2 drivers covering the low end, they split up the sub and mid-bass and allow for a subtle sub-bass lift that doesn’t bleed through and affect the midrange or cause any unwanted resonance and bloat. Oriveti have managed to pull off a really impressive tuning down low, one that has a full and deep sub-bass response yet a tight and impactful mid-bass that always sounds controlled. There is never any warming to the lower midrange, allowing vocals and guitars to shine through with ease, these don’t have a high level of bass and it is well aligned with the rest of the frequency response – so they wouldn’t be my pick for bass-heads – however they do handle bass very well without any discernible roll-off.

Midrange: Due to the exceptional control of the low end, the midrange just cuts through with ease and clarity on the O400 – offering up a revealing yet easy to listen to midrange experience without harshness. For the price these extract an impressive amount of detail from the midrange, you won’t miss a thing yet they are very well balanced too. Male vocals don’t sound dull, female vocals are devoid of sibilance or excess presence, the transition into the treble is handled very well and nothing stands out. These have an effortless and clean midrange that seems to handle anything you throw at them without sounding congested.

Treble: The treble rounds off a really great presentation allowing for plenty of air and ambience, along with detail and sparkle without overdoing it and becoming thin/bright sounding. You won’t miss any cymbal taps or crashes, snares are incredibly snappy and violins are presented with finesse and grace. There is no early roll-off, they aren’t muted or splashy, they have great control and this really does help to make the O400 sound refined, open and clean.

Genres and Soundstaging

The O400 work well with pretty much anything you throw at them, they have a controlled and clean sound with a mild sub-bass boost that adds body and reinforces the low end without affecting other frequencies. However these are not bass heavy and would not be my first pick for more bass oriented genres (the OH500 does a better job with those).

Soundstaging isn’t huge, there is great air though and whilst it may be lacking in absolute width and heigh there is good depth to the sound and positional accuracy is a definite strong point of the O400.

Who are they for?

• Those wanting a clean and transparent sound without the more typical analytical tuning
• People who want a comfortable and enjoyable daily IEM

The post Oriveti O400 Quad BA Earphone Review appeared first on HiFiheadphones.

Fit and Comfort

64 Audio’s Duo shares the same shell shape as the rest of their universal line-up. However the faceplate is now a grill design instead of having the usual Apex module. This is due to the Apex Core technology implemented. The shape of the housing will fit most people well and once you settle on the right size of eartip they provide a secure fit for hours of listening.

Comfort is great due to the shape of the housing, insertion depth and also the new cable which is more flexible and comfortable than previous versions. One thing that I find massively contributes to 64 Audio’s comfort is the Apex modules/core as these relieve any internal pressure which creates a lot less listening fatigue when compared to fully sealed designs.

Compatibility

Whilst the Duo is a low impedance and high sensitivity IEM, they are also a relatively high-end earphone. Therefore they should be paired with a source that is able to bring the best out in them. This means they pair best with proper DAP’s and DAC/Amp combo’s rather than being driven solely by a mobile phone.

Features

64 Audio have included some new tech in the Duo. It uses a hybrid setup featuring a single Dynamic driver and single tia BA driver. The tia driver is a tubeless balanced armature driver. Which in turn allows the sound to travel more freely with less distortion. New to the Duo is the already mentioned Apex Core. Instead of using Apex modules like the rest of their line-up, the Duo isn’t tunable and has an open back style design. This leaves the shell open to the outside atmosphere allowing for a less fatiguing and more natural sound.

Next up is Wave Sync, this is direct from 64 Audio: “Due to the high crossover point between the two drivers, Wave Sync was developed to ensure coherence; another industry first. By using a type of “all-pass” filter, we’re able to introduce a crossover while correcting for time without having to change the physical distance between the drivers.”

All these features focus on making the sound more natural, effortless and distortion free. It’s great to see a company still innovating and finding solutions to problems. The Duo still isolate -12dB from outside noise so they are suitable for outdoor use, they just won’t isolate as much as full sealed designs.

Sound

Bass

64 Audio have long been kings of getting really impressive bass from balanced armatures, but they don’t do a lot of hybrid designs. The Duo is using a single dynamic driver down low which gives you a slightly different presentation than most BA models. Here we have a full and articulate low end that digs deep when needed but that can also keep up with complex mixes too. It has that signature dynamic tonality whilst never sounding slow. There is physicality in the punch, and warmth overall that is really pleasant. I would say these lean towards having a slightly more physical punchy sound over one that focusses more on sub-bass warmth. But the great thing here is that they do both well without encroaching on the midrange.

EDM tracks have plenty of drive down low, yet they still have control and articulation for faster rock and metal. Tonally these really hit the mark down low too with a realistic portrayal of bass frequencies.

Midrange

There isn’t any artificial boosting of the midrange on these. They have a linear lower-midrange which allows male vocals to cut through the mix with ease and little influence from the bass. Moving through the midrange there is great separation and layering. The centre image is very focussed and you can hear each layer of the recording with ease. The upper midrange is also superbly done, having enough bite to allow detail to cut through, without a boost to make them sound peaky or artificial.

The Duo have an open and natural midrange. It doesn’t matter if you are listening to acoustic or heavy rock, they just work well.

Treble

The tia drivers that 64 Audio use are renowned for their effortless presentation and resolution. And the Duo are no different. They have a little forwardness at times but due to their tonality it never comes across as harsh or bright. There is plenty of air and extension up top, but it is refined and never brash. They don’t try and impress you with too much presence. Instead they let the resolving and refined nature of them win you over. These are open and natural. There isn’t any metallic tone to the treble. Or glare for that matter. But this is done without muting the treble and making the Duo sound subdued or dull. These are still exciting and dynamic overall.

Genres and Soundstaging

The Duo are a remarkable all-rounder in my opinion. They do well with genres across the board due to having a relatively linear and balanced sound. The Duo has the punch required for EDM, and tactility for metal and subtlety for jazz/acoustic. They also sound very open and natural, making you want to listen more and more.

The soundstaging is great. These are sort of open back so they do have that benefit, but the sound is expansive yet very well focussed. The soundstaging is accurate and places instruments right where they should be. The sound is very whole and never sound diffuse or detached.

Who are they for?

• People wanting a complete and natural sound without breaking the bank.
• Those looking for a cheaper everyday alternative to TOTL models without sacrificing much in terms of sound

Interested in all things 64 Audio? Check out more news and reviews here.

The post 64 Audio Duo IEM Review appeared first on HiFiheadphones.

It is a known secret that both the Final A3000 and A4000 are IEM’s that perform way above their price points. Priced at £100 and £120, you really are getting more than you pay for.

With their generalised overview easing you in Ear-Fidelity goes into mighty detail with their reviews on the Final A-Series. Likewise, they even offer direct comparisons to really get your head around what they offer.

Comparing to the A4000, they conclude; “Just like with the A3000, the A4000 proves to push itself further than its asking price. The A4000 provides the listener with more bass engagement, a clean and presentable midrange. Above all, a highly detailed treble rendering.” The A4000 has even made it into Matz’s own recommended list!

Ear-Fidelity’s full reviews of both models can be read here: Final A3000 Review & Final A4000 Review

The A3000 and A4000 aim to “Deliver astonishingly natural sound with each sound image vividly localising over the comfortable and spatially spread low-range sound. The fine touch of the guitar and delicate vibrato of vocals can be clearly distinguished. You can get the feel of the fine nuance of musical tracks, and so new inspiration is borne even from a familiar playlist.”

Lastly, there are plenty of other reviews for many beautiful Final products on our site. You can check each and every single one out here: Final Reviews

The post Final A-Series reviewed by Ear-Fidelity appeared first on HiFiheadphones.

As the title states, Campfire Audios Caleb Rosenau has sat down with Omar once more to broaden his musical horizons.

“As part of Omars IEM journey Caleb suggested it was a good idea to have a listen to their highest end products. It didn’t take a lot of convincing for me. Brew a cup and join Omar and Caleb for a chat about high-end IEMs. What goes in to making them and what kind of audio experience can you expect for a £1500 IEM.”

Without further ado, the whole podcast can be listened to via Spotify here.

Oscar and John have obviously also spent some time with many Campfire Audio models. You can read Johns review of the Andromeda here and Oscars of the Solaris here. If videos are more your thing then we also have you covered! We have video reviews of all models on our youtube channel here.

The post Campfire Audios Andromeda, Ara and Solaris Podcast With The Curiosity Project appeared first on HiFiheadphones.

Caleb talks emphatically about taking a less is more approach when designing their new budgeting offerings. The Satsuma has been fitted with a single balanced armature (BA) driver and the Honeydew packs a 10mm Dynamic driver inside. Both IEMs focus on comfort, fit, and a each IEM has a tailored sound signature to reflect customers feedback. They also provide a significantly different listening experience from device to device. Make sure to listen to the Podcast to find out more!

Omar and Caleb start talking in detail about the Honeydew and Satsuma around 75 minutes into the show. Before that, they talk about all manner of topics within the Audio world. Ranging from current trends to expectations and why Campfire Audio has not jumped on the TWS bandwagon. It is an interesting listen and well worth the time investment. You really feel that Caleb wears his heart on his sleeve. In addition to Omars thoughtful questioning and dedication to the topics at hand, there is a lot to learn and marvel about this fascinating brand and to ponder just what heights they will surely reach.

The whole podcast is available to listen to via Spotify here: Conversations With: Caleb Rosenau of Campfire Audio

Oscar has obviously also spent some time with these beauties. You can read his review of the Honeydew here and the Satsuma here. If Videos are more your thing then we also have you covered! We have just released a comprehensive video review of them both together on our Youtube channel here.

The post Campfire Audio Honeydew and Satsuma Podcast! appeared first on HiFiheadphones.

SOUND

In standard 64 Audio fashion, U6t is a balanced natural sounding earphone, slightly set apart from their other UIEM models by offering a softer presentation of a mix. Beautiful upper-mid imaging, realistically presenting instruments like guitars and piano as well as breathing life into saturated mid-bass mixes, especially when vocal focused. Using the various included apex modules and ear-tips allows the listener to further customize the sound of the U6t based on the needs of the music.

IN THE BOX

• U6t Universal In-Ear Monitors
• 64 Audio Premium Leather Case
• TrueFidelity Eartips (S,M,L)
• Silicone Eartips (S,M,L)SpinFit Eartips (S,M,L)
• Black Premium Cable
• m20 apex Modules
• m15 apex Modules
• Round Sticker

Available to pre-order now!

The post 64 Audio Release The U6t – Their most popular custom IEM in a universal shell appeared first on HiFiheadphones.