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Campfire Audio Trifecta ‘Astral Plane’ Review

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They say all good things come in threes, and three is the magic number. Who are they? Well, Campfire Audio must have been listening because not only have they released three new wired IEMs; one of them has three dynamic drivers inside each housing. Welcome to Trifecta ‘Astral Plane’ and the celebration of everything three.

For 2023, Campfire Audio has launched their latest, and permanent update to the previously released limited edition Trifecta, where for its original release had only 333 units made. This time around, the new Trifecta ‘Astral Plane’ is here to stay and has had a stunning makeover to celebrate.

Campfire Audio Trifecta 'Astral Plane'

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Trifecta ‘Astral Plane’: Packaging sent from above

Firstly, let’s talk about the packaging. Campfire Audio want to offer the ultimate user experience as soon as their IEMs are unboxed, and this is certainly the case with the new Trifecta. The box is made out of wood and can be transformed into a display stand for your earphones. Just attach the brass hand to the backplate and you have an angelic design, holding the Trifecta ‘Astral Plane’ up to the heavens.

Campfire Audio Trifecta ‘Astral Plane’ – Packaging

Inside the box you get two carry pouches, useful to store the IEMs as well as the extra cables that are also supplied. The cables are Campfire’s new Time Stream design, provided with 2.5mm, 3.5mm and 4.4mm termination options. There is also an impressive amount of eartips provided with silicone and foam options is all sizes.

Beautifully constructed

Now for the earphones, and this new Trifecta is a work of art. They resemble luxury jewellery as much as high-end IEMs. The new ‘Astral Plane’ version comes with a blue tint to the transparent housings which somehow makes them look clearer and ties in very well with the artwork that comes along with this model. Images of a beautiful blue sky. Peering through the glass-like outer shell, it is amazing how much of the internals are on show. It looks so neat in there. Inside the housing, Campfire Audio has placed three custom 10mm full-range dynamic drivers in a triangle configuration. This is stunning, and completely unique.

Campfire Audio Trifecta ‘Astral Plane’

Comfort is key

The shape of the housings are surprisingly comfortable considering they are on the large side due to the three dynamic driver inside. This level of comfort must be down to the shape of the housings and the expert build quality as weight balance is spot on, allowing the earphones to sit securely in my ears. I personally prefer the silicone tips, and I found a great fit with the large ones. Definitely try the silicone and foam tips in order to find your best fit and sound, as the material of the tips does impact the audio tuning.

Trifecta ‘Astral Plane’ – How do they sound?

As for the tuning, Campfire Audio has gone for fun, fun, fun. It is unusual for an IEM brand to have their flagship model be this much fun. The Trifecta ‘Astral Plane’ has one job, and that is to put a smile on your face. The three dynamic drivers do exactly what you would imagine them to do. Bass is luscious and moreish. I’m so impressed with how Campfire Audio managed to harness the power of this driver configuration without allowing it to go out of control. The bass is big and enveloping, yet it is also controlled and manages to stay out of the way of the higher frequencies. The richness doesn’t stop at the bass, the mids are equally moreish. There’s a warm tone that makes guitars, vocals and snare drums pour into my ears like liquid gold. I almost feel naughty enjoying these earphones. Surely music isn’t supposed to sound this delicious.

Campfire Audio Trifecta ‘Astral Plane’ – Box Content

Other Features at a Glance:

  • Three custom 10mm ADLC diaphragm gold-plated dynamic drivers
  • Ultra light and rigid ADLC Diaphragms
  • Optically clear nylon body styling
  • Transparent Housing with Gold PVD Accents
  • Time Stream Cables with 3.5mm, 2.5mm and 4.4mm terminations
  • Dimensional Folding leather carrying case
  • Stainless steel spout and MMCX capture
  • Custom beryllium copper MMCX components 

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See more reviews and news about Audeze products here!

Campfire Audio Solaris ‘Stellar Horizon’ Quad Hybrid IEM Review

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Last week I had a good listen to the new Campfire Audio Andromeda ‘Emerald Sea’, and this week I have the pleasure of trying out the new Solaris ‘Stellar Horizon’. The new Solaris comes in at £2669. That’s over £1000 more than the new Andromeda and also over £1000 more than the previous version of Solaris. Campfire Audio has moved into the highest of high-end audio. Is the price justified? Let’s find out.

Campfire Audio Solaris ‘Stellar Horizon’

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Solaris ‘Stellar Horizon’: Improved Ownership Experience

In terms of packaging and presentation, this 2023 version of Solaris has had the same treatment as the Andromeda. Provided in a new box made from lightweight wood that acts as a display unit once opened. The level of detail here is so impressive, with striking artwork and even an elegant hand which is used to hold the earphones when not in use.

As for accessories. You get an impressive bunch of silicone and foam eartips in a range of sizes. My personal favourite is the large foam tips for the Solaris, and the rest of the review will be written using these. Do make sure to try all tips provided so you can find the best comfort and sound quality for you, as eartips play a big role in both. You also get three new ‘Time Stream’ silver plated copper cables in a range of terminations: 2.5mm, 3.5mm and 4.4mm.

Two carry pouches are also provided, one leather and one material. Having two really makes sense here, as you can use one to keep your earphones safe and the other to store your extra cables and any other accessories that you would like to keep secure.

Campfire Audio Solaris ‘Stellar Horizon’ – Display Box
Campfire Audio Solaris ‘Stellar Horizon’ – Box Content

Strikingly Compact

Now for the earphones. The Solaris ‘Stellar Horizon’ has a very similar shape and size to the previous version of Solaris, providing a compact design that sits nicely in my ear. The housings are made using brushed stainless steel which looks great, especially along with the gold and black faceplate which is striking and really stands out.

Brand New Technology

Internally there have been big changes too. Campfire Audio has developed new technologies for the Solaris ‘Stellar Horizon’, with custom dual-diaphragm balanced armature drivers and their new radial venting which surrounds the 10mm dynamic driver. The configuration consists of three custom dual-diaphragm BAs and one 10mm ADLC dynamic driver inside each housing.

Campfire Audio Solaris ‘Stellar Horizon’

Solaris ‘Stellar Horizon’ – How do they sound?

The Solaris ‘Stellar Horizon’ has a sound that I haven’t experienced before. They are the realest sounding IEMs I have heard. If I didn’t know better, I would assume that the audio was coming from a huge acoustically treated chamber filled with musicians all playing just for me. Bass sounds real. No boom or overdoing it. Mids sound real. The tone, texture and timbre match exactly with my experience of listening to drums, guitars and vocals being performed live and in person. This is something I haven’t heard before from any set of IEMs. There’s an edge to each sound that is so pleasing, and the Solaris delivers audio quickly and clearly. Highs extend endlessly and help to create space which provides an impressively wide and deep soundstage. The overall experience seems so effortless that it would be easy to assume that the earphones are doing nothing, and that’s the beauty. It’s like a great actor. The best ones seem as though they aren’t acting at all.

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Interested in all things Campfire Audio? Check out more News and Reviews here!

Read our Campfire Audio Brand Story here!

Campfire Audio Andromeda ‘Emerald Sea’ Review

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Like the phoenix, risen from the flames to be born again. If there was one IEM that held legendary status for Campfire Audio, it would be the Andromeda. This bright green wonder has impressed audiophiles and music lovers for years, having had minor updates throughout its lifetime yet holding onto the same design it had when first developed. Now, something has changed. The legend has been entirely re-imagined, with not only new technologies internally, this new Andromeda ‘Emerald Sea’ has also been redesigned with a new shell shape too. Do not fear though. The Andromeda from 2023 is still that lovely shade of green.

Campfire Audio Andromeda ‘Emerald Sea’

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Andromeda ‘Emerald Sea’: Improved Ownership Experience

Not only have the earphones been given a makeover, the entire ownership experience has been enhanced. The main addition here is the wooden presentation box that the Andromeda is packaged in. Reminiscent of a cigar box, this packaging is like no other. Remove the lid and slot it into the base, then attach the bronze hand and you have the most original earphone presentation stand I have ever come across. In the words of Campfire Audio, nicely done.

As for accessories, the selection provided is equally impressive. You get a wide range of eartips with a mixture of foam and silicone. You get two carry pouches. One for the earphones and one to store the extra cables that come with the Andromeda. Campfire Audio has included three Time Stream cables: 2.5mm, 3.5mm and 4.4mm. These new cables feel great and house silver plated copper conductors. Providing three shows how dedicated Campfire Audio is to the experience.

Campfire Audio Andromeda ‘Emerald Sea’ – Display Box
Campfire Audio Andromeda ‘Emerald Sea’ – Box Content

Complete Re-Design

The earphones themselves is where Campfire Audio really make their statement. Gone is the severe, angular shape of the old Andromeda. For the ‘Emerald Sea’, the housings are smaller, smother and more streamlined. This is also a new shape for Campfire Audio, and this really adds to the comfort of the earphones. This shape works perfectly for me, nestling nicely into my ears with no feeling of pressure even after a long listening session.

Low distortion and superior stability.

Internally, the engineers have also gone to work, using brand new drivers and also redesigning the interior chamber. Five custom, dual-diaphragm balanced armature drivers are housed inside each earphone. These drivers have been chosen for their low distortion and superior stability. These drivers have been placed within a newly designed internal 3D-printed chamber.

Campfire Audio Andromeda ‘Emerald Sea’

Less Sensitivity. More Flexibility.

Another change that I think is worth mentioning is that the Andromeda ‘Emerald Sea’ is less sensitive than previous Andromeda versions. This is a big change, as one of the issues I found previously is that the Andromeda was always very picky about which devices it worked well with, and part of that pickiness was down to its sensitivity. The new ‘Emerald Sea’ is less picky, meaning there will be more people out there who can enjoy this stunning earphone.

An overall more balanced and believe it or not; an even more enjoyable listen.

Andromeda ‘Emerald Sea’ – How do they sound?

Now, what does all of this mean? The result of this overhaul is a listening experience that has taken an already sublime sound provided by the older Andromeda, and added a new layer of fluidity and finesse in the ‘Emerald Sea’. Bass is as present as ever, this time with an improved roundedness and coherence which allows the mids to sound more effortless than before, especially in the higher end.

This Andromeda has kept the organic quality that made has made the Andromeda so successful over all these years, yet there is something new here, a new smoothness in the higher peaks which now allows other frequencies to show themselves even more for an overall more balanced and believe it or not; an even more enjoyable listen.

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Interested in all things Campfire Audio? Check out more News and Reviews here!

Read our Campfire Audio Brand Story here!

HiFiHeadphones Best Buy list

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Here at HiFiHeadphones we really are passionate about audio and listen to the products we offer. Our headphone guru and Youtube star John has put together a HiFiHeadphones best buy list, so read on to find out what our best headphones, earphones and headphone amps in 2022 are!

Best True Wireless with ANC

Lypertek PurePlay Z5 – £79.00

The PurePlay Z5 are one of the best, if not the best, true wireless models for daily use. They have ANC, Ambient mode, wireless charging, accompanying app and more along with truly suburb sound quality for a low price. – Full Review

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Best True Wireless for Sound Quality

Final ZE3000- £119.00

These don’t have a lot of features, no AThese don’t have a lot of features, no ANC, ambient mode or wireless charging. However they are designed for ultimate sound quality and in that they succeed, They also look awesome and fit perfectly. What more could you ask for at £119? – Full Review

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Best Wired Earphones under £100 

SoundMAGIC E11C Silver – £52.99

A Brilliant Budget Earphone that Sounds MAGIC. We have found the E11C to be a grown-up earphone with a keen knack for giving a clear and accurate presentation across the board. It is a true bargain and certainly a very good IEM for everyday use. The mic and controls are an added bonus and making use of the included case as well as regular cleaning ensures that these earphones last well beyond their warranty. Perfection? Not quite. But at £52 you will struggle to find a similar product worthy of your investment. – Full Review

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Best Wired Earphones £100-£300

Oriveti OH300 – £299

The OH300 really does a lot right, especially when you take into account the £299 price tag. With a detailed and even-handed sound signature that is tonally accurate yet not boring. There is power when needed, yet they always have a controlled and refined approach to rendering your favourite tracks. – Full Review

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Best Wired Earphones £300-£1000

Campfire Audio Holocene- £649.00

The Holocene are almost a scaled down Andromeda, but with a twist of their own of course, they are slightly warmer and less airy in the top end but still have a very enjoyable sound. The Holocene are fairly linear with a slight bass lift that doesn’t bleed into the midrange, allowing that to cut through with clarity and accuracy. The lower treble is dipped slightly, robbing them of some energy but also meaning they don’t sound fatiguing or sibilant, yet the upper treble is well presented with great extension and air. Overall they are a really impressive earphone, and make a superb daily driver. – Full Review

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Best Wired Earphones £1000-£2000

64 Audio U6t- £1,299.00

For the price, 64 Audio have created a brilliant everyday earphone that allows great insight into the recording with superb clarity and detail retrieval, wrapped up in a smooth, coherent and easy to listen to sound. They are such an easy earphone to live with. Providing a comfortable fit and refined sound that many fail to match. This is proof that 64 Audio really do know what they are doing when it comes to sound. A superb model for the price.

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Best Wired Earphones £2000+ 

64 Audio tia Fourte – £3,599.00

This model pushes the boundaries and shows what’s possible with only 4 drivers. This is a hybrid design with an intricate inner shell with chambers that help shape the sound. Nothing sounds overly boosted on the Fourte, but they do have a healthy dose of impact down low. The Fourte are very revealing and will throw up flaws in recordings, but the clarity in the midrange is truly astonishing. What’s even more impressive is how the top end just extends without rolling off at all.

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Best Wired Studio Earphones 

Etymotic ER-4SR – £305.95

If you are looking for neutrality, the ER-4SR are the industry standard – they do not flatter you with a smooth sound or hide any mistakes in recordings, so not great for everyday listening but superb if you want to hear every detail.

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Best Wireless Headphones under £100 

SoundMAGIC P23BT – £49.96

SoundMAGIC once again show that they are unrivalled when it comes to creating budget models with excellent sound quality, the P23BT has such an enjoyable sound that you quickly forget they only cost £50. Full Review

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Best Wireless Headphones £100+ 

Final UX3000- £119.00

The Final UX3000 ANC is a fantastic product for its price. Final have really worked their magic here. Solid build quality, paired with great sound and effective ANC for under £120 is something rarely heard of. Add to that fantastic mic quality and you have an absolute bargain on offer. The UX3000 can be recommend to anyone looking for a portable over-ear headphone. Full Review

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Best Headphones £100-£500

Sennheiser HD660s – £429.00

The latest addition to the HD6xx series comes with improved clarity, these are detailed and open sounding and paired with the excellent comfort the HD6xx series are known for, make these a superb headphone for the price.

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Best Headphones £500-£1000

Audeze LCD-2 Classic – £749.00

The LCD-2 Classic are a well controlled, but ultimately warm sounding headphone. They offer up a fatigue free sound with good width and height. If you listen to electronic centred music, old school rap/hip-hop and smoother more acoustic music they are a joy to listen to. Full Review

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Best Headphones £1000-£3000 

Final D8000 – £2,999.00

Instead of going for the usual neutral-ish sound signature of most high-end models, Final instead decided to make the D8000 enjoyable, with very punchy and dynamic bass and impressive clarity across the board, the D8000 stand out from the crowd.

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Best Headphones £3000+

Audeze LCD-5 -£3,999.00

These are resolving yet enjoyable, they have a reference like tuning without coming across clinical, they have an honest presentation without too much colouration or sweetness to the sound. Full Review

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Best Headphone DAC/Amp under £100

Periodic Audio Rhodium – £49.00

The Periodic Audio Rhodium is brilliant for the money, a USB-C dongle DAC/Amp that has a clean sound, even if the output power is a little limited.

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Best Headphone Amp £100-£300

JDS Labs Atom Amp+ – £129.00

The Atom Amp+ is a neutral and linear sounding amp that will pair well with most headphones and earphones on the market – it measures well and doesn’t cost a lot, what more could you want? – Full Review

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Best Headphone Amp £300-£1000

JDS Labs Element III -£499.00

The Element III comes with an all new digital volume encoder and optical input, you get perfect channel balance for sensitive IEM’s along with auto-gain and enough output power for most over-ears too – backed by that same linear sound JDS Labs are known for. They even added an opitical input, very handy for gamers or those who listen to CD’s . Full Review

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Best Headphone Amp £1000+ 

Burson Soloist 3X GT – £2,499.00

This amp is perfect for those who need the best from their hard to drive headphones, the perfect pairing for those select few headphones that need multiple watts of power – it’s dual mono, fully discrete design doesn’t compromise when it comes to sound quality either. 

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CanJam London 2022: News, Sale and Best Headphones Guide

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CanJam London 2022

CanJam London 2022 Update: It’s that time of year again!

We are very excited to be attending CanJam London 2022 on July 30th and 31st at Park Plaza, Westminster Bridge.

We will of course be attending with some of our favourite brands and showcasing some of their amazing products. From new releases to old favourites, it is going to be a blast.

Undoubtably, this will be a CanJam to remember. Due to the Covid pandemic, we have been without the show for the last few years (check out our review/ interviews from the last one in 2019 here). We are absolutely frothing at the bit to get amongst the action again! Indeed, CanJam is the place to try all of the best headphones, earphones, DACs, AMPs, DAPs and IEMs under one roof with likeminded people. Obviously we are all there to discover how best to listen to our favourite recordings.

To celebrate, we are running a sale on our brands that are going to CanJam London 2022! Make sure to check out our sale page over on Hifiheadphones for big discounts for a limited time only:

Hifiheadphones CanJam London 2022 Sale

Not only is this a chance to try out these amazing products. It’s also your chance to meet the people behind your favourite brands. Here is a list of just a few brands attending CanJam London 2022:

Audeze, 64 Audio, Focal, HifiMan, Campfire Audio, final, Rupert Neve, Burson, Westone, Chord, Roon, dCS, Meze, Rosson Audio and many many more.

CanJam Sneak Peek Time with Important Updates

As a matter of fact, the reason for this is to give you an idea of what brands we will be representing at CanJam 2022. Below are also some of the products you can expect to see.

Audeze

Audeze are going big this year. In addition to six tables of goods (SIX!) showcasing lots of favourites, there is also a very special newcomer! On show will be LCD-5. CRBN, LCD-X, LCD-XC, LCD-3, LCD-2 Classic. Euclid, Penrose and the brand new MM-500. All products will be powered by some of the finest equipment from the likes of Chord, Burson, Weiss and Eksonic.

Campfire Audio

This year, Campfire Audio is all about the Trifecta! Don’t worry though. There will be enough for everyone to try this new, completely unique IEM from one of the most interesting audio brands of today. For those that want to try other legendary favourites, we will also have Andromeda, Holocene and Supermoon samples there too.

final / Hifonix

Also, our friends over at Hifonix will be showcasing the brand new final D8000 Pro Limited edition. In all of it’s stunning, goldlike lovlyness, it is going to be a crowd pelaser. Certainly make sure to make your way over to their table to check out this rare, majestic work of headphone art!

64 Audio

You can meet the 64 Audio team this year as well as and try some of their finest IEMs. Absolutely make sure to check out the U6t, DUO, U12t, Tia Fourte, U18s, Nio and even more (these are only the universals) from the worlds best pro and custom IEM specialists.

Burson

Burson will be supplying headphone amps and DACs to a number of our brands this year. So you will not only get the chance to try out their incredible products, they will be paired with some of the best headphones in the world!

Westone Audio

With the recent release of the MACH Series of IEMs. Westone Audio will be showcasing the full range at this years CanJam. This is a rare opportunity to test out all 8 models in this impressive and diverse line-up.

Lastly but not Finally..

To celebrate the return of CanJam London, we will also be having a special CanJam 2022 page setup on Hifiheadphones with exclusive offers on some of the best products showing at this years event. Be sure to check out the CanJam 2022 Special page on Hifiheadphones from 30th July to 1st August to get some amazing deals on the best audio gear out there!

Campfire Audio Andromeda IEM Review

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Campfire Audio create works of art that just so happen to sound very good too. This year they have released an update to the insanely popular Andromeda. There are quite a few changes to the new version, and it looks as though it could be quite an improvement.

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Aesthetics and Build Quality

Campfire Audio’s Andromeda is about as bold as you can get when it comes to its design. The housings are made from machined aluminium, with a deep forest green anodised finish. The finish has been updated in this new version of the Andromeda, with a much smoother coating and a slightly richer shade of green.

The sound tube is made using stainless steel, which I am sure not only benefits the acoustics. It looks very striking too. Overall the Andromeda feels robust and built to last, while managing to stand out with its unique character.

Features and Comfort

Campfire Audio earphones have a very distinctive look, and the Andromeda is their champion. The design is very unusual, with a slightly futuristic shape to them. The shell’s design allows it to catch the light at different angles, which gives off a multitude of different shades of green. That is not the only purpose of this shape, the angled design provides superb comfort. The Andromeda sits perfectly in my ear, and with the included Final silicone eartips – the fit is snug and they seal extremely well which also helps towards isolation.

Another great feature of the Andromeda is the supplied cable. An upgrade on the older version, this time the Andromeda comes with their popular Silver Plated Copper Litz wire covered in a new smoky jacket. The cable is also more flexible than the previous version and uses a lightweight moulded ear hook design instead of memory wire – a definite improvement.

Campfire Audio don’t stop there, the Andromeda comes supplied with a newly designed leather carry pouch, foam and silicone eartips, a cleaning tool and even a fancy Campfire Audio lapel pin.

Sound Quality

The best way I can describe the sound of the Andromeda is organic. Sound comes across effortless, well balanced and with an impressively natural soundstage.

Bass

Bass comes across with authority and punch. It goes low and manages to keep controlled, even with more bass heavy tracks. Bass performs equally well with intricate instrumental, heavy rock and electronic music. This shows that the bass has been tuned to do what is needed, letting the quality of the production do the talking.

Midrange

Thanks to the controlled bass, there is no risk of the midrange getting over shadowed. Mids come across extremely clear with a musical richness – this is a welcome change from the analytical sound that is common amongst high-end earphone models. Vocals have presence and whether male or female, they sound uncoloured, engaging and with emotion.

Treble

Campfire Audio uses their very own Tuned Acoustic Expansion Chamber in the Andromeda, designed to improve treble extension and soundstage. This is very clear and noticable. Thetreble provides just the right amount of definition without going harsh or sibilant. Then, in addition the extension provided by the T.A.E.C. goes on and on, creating width and space with superb separation.

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Campfire Audio Holocene Triple Driver IEM Review

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Campfire Audio have made somewhat of a baby Andromeda with the Holocene. With a focus on control and detail they are perfect for those wanting a more neutral and balanced sound signature.

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Fit and Comfort

Those familiar with Campfire Audio will know the shape. It is common amongst their models with an angular outer shell and smooth inner. With a long-ish nozzle that really helps you get a good fit with them. I find this design works well with most people, they certainly fit me well which is always a bonus.

Once you find the right tips for your ears, the Holocene fit comfortably due to well designed housings and good insertion depth. The cable is also soft and fits over your ears easily without stiff memory wire.

Compatibility

These are quite a picky earphone when it comes to matching them with the right source. Their sensitivity is quite low (94dB SPL @1kHZ – mVrms). However they have very low impedance (5.4 Ohms @1kHZ). This means they need some careful system matching. You really do need a player with less than 1 Ohm output impedance for these. Otherwise they will not sound how Campfire Audio intended them to.

Bass:

The Holocene puts focus on accuracy yet never comes across as thin or lean in it’s presentation. This is when paired with the correct source that is. It is very controlled and articulate and it doesn’t put a foot wrong, even during the most complex of tracks. The low end is expertly separated from the midrange, not allowing it to influence the overall tonal balance. It digs deep in terms of extension but it isn’t exaggerated. Bass guitars are easy to follow in the mix. Kick drums hit with authority and body yet never sound bloated. There is perhaps a tiny bit of added body from the low end, but it is subtle and just makes the Holocene a little more fun and engaging without sounding overly full.

Midrange:

Due to the lack of bleed from the low end, the midrange is incredibly clean and crisp. Male vocals don’t get any added body which helps them cut through with great tonality. I would say the Holocene has a very mild U-shaped signature. The midrange isn’t up-front and intimate and it sits ever so slightly behind the bass and treble, but it isn’t overly recessed. There is excellent detail and layering in the midrange. Things never get muddled and it is always easy to pick apart the different layers within the mix. Contrary to many earphones, the Holocene don’t boost the upper mids. This means female vocals are not pushed to the front. In fact they actually have a slight recession to prevent sibilance. Personally this slight recession in the upper midrange robs them of a little energy but it does prevent them from being peaky and sibilant.

Treble:

The lower treble is slightly muted, which does take away from the sound a little bit of energy. But there is good presence higher up which does add good air and extension. These are not as exciting as the Andromeda and are definitely lacking a little bit of the treble energy of that particular model. However, those looking for a good all rounder that is a little easier on the ears and more forgiving of certain recordings will do well with the Holocene.

Soundstaging and Genres

The soundstaging on the Holocene is good. There is a good sense of air and space around instruments. The layering and instrument separation on the other hand is excellent. The sound is well controlled and this allows you to pick apart the mix with ease, even during complex tracks.

Genre wise these are an excellent all rounder. They won’t appeal to those looking for lots of bass so EDM and the likes are not their main focus. But for metal, jazz, acoustic, alternative rock, indie etc… they all sound excellent through the Holocene.

Who is it for?

  • Those looking for a detailed and clean sound signature
  • Those wanting a good all rounder that isn’t fatiguing

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Westone MACH Series Release

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Westone Audio release their new MACH series, a comprehensive range starting with an entry level single BA driver, right up to an 8-driver model. MACH is the latest in sound engineering that is bridging the gap between professional performance products and a product for the truest of music lovers. With its unique ergonomic fit, MACH is a product for everyday use and enjoyment.

All the new MACH models come with the T2 connector from Linum, and all of them come with Linum cables too. These are substantially better than older MMCX connectors and are more durable in a wide range of environments.

The MACH10 is a single BA model with a focus on detail, the sound signature is flat and accurate and using them with foam tips will make the sound a little more “natural”. This is the entry level model and is suited to those who don’t want an overly coloured sound.

The MACH20 is more balanced sounding with more neutral bass than Mach10, however they do have a slightly mid-forward sound that brings vocals and guitars into focus. Again they have aimed for a clear and detailed sound with the first two models.

The MACH30 changes this a little, with a more energetic sound signature – they have a subtle lift in the bass and some upper midrange forwardness. This leads to a slightly more fun, yet still well balanced sound signature.

The MACH40 goes for a warmer sound, one for those who enjoy full bodied and organic sound, the mid-bass has added punch whilst the mids and treble take a step back. They also have a slightly more direct sound, the soundstage is more focussed and less open than some other models in the series.

The MACH50 goes for a smooth, open and natural sound – it doesn’t have any fatigue inducing traits and focuses on an organic presentation that is the perfect “everyday” earphone. It has a slightly forgiving sound that doesn’t make poor recordings sound bad, this could be quite the hit for many people.

MACH60 has reference-like characteristics but with ever so slightly elevated bass and treble, the soundstaging is very holographic and these offer up a wide and balanced sound. The treble is crisp, the midrange is smooth and natural and the bass has great punch, a superb all-rounder.

MACH70 has been made with a mild W-shaped signature, with great mid-bass punch, well presented midrange and effortless treble, these are punchy and fun yet well controlled and resolving. The soundstaging again being a highlight with their open sound and excellent separation.

MACH80 is the flagship model in this range, and it’s tuned to be an audio tool. Westone state the Mach80 has no obvious colouration, it is designed to be a flat sounding reference model.

This range looks quite interesting with plenty of different sound signatures to suit different tastes – we can also expect excellent comfort, as this is one area where Westone always do well. We have all of these ready to demo, so book an appointment to be one of the first to hear this new range of earphones.

Available to order NOW

Campfire Audio Release Supermoon Planar CIEM

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Campfire Release a Solid-body Custom-Fit In-Ear Monitor featuring a new custom Planar Magnetic Driver

Campfire have released the Supermoon, a Planar Magnetic custom IEM; they are a brand that often takes risks, be it in design or sound signature. It is notoriously hard to make a small planar sound good, and offering it in a custom fit earphone makes it even more interesting, Campfire Audio have done this so they can optimise the performance of the driver for each individuals ear shape.

Campfire Audio have tuned the Supermoon to sound coherent and balanced, but I would not say they are a studio neutral sounding earphone, with a mild sub-bass lift and effortless treble they are mildly u-shaped without making vocals sound recessed. We have a demo set in universal fit, so book an appointment if you want to hear these (they will also be at CanJam London).

Campfire Audio offer two different fit options, artist-fit and audiophile-fit, with artist fit offering up a more traditional deeper fit and audiophile offering up a more comfortable fit due to a shorter nozzle, perfect for long listening sessions.

Campfire Audio use a unique Solid-Body design – When crafting the solid body of the earphone, the design is 3D printed as a single component before being meticulously hand-finished. Putting the work into the earphone design before the print means the only moving part in Supermoon is the diaphragm. This also means that the earphones you will receive will be a robust and reliable partner.

Full Details HERE

Buy them now: https://www.hifiheadphones.co.uk/products/campfire-audio-supermoon

Oriveti OV800 – Product Release

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The Oriveti OV800 brings the incredible sound of O800 but adds switches to allow users to tailor the sound to their liking.

The OV800 are handmade, this means there is a high level of attention to detail and each set are a masterpiece. The driver setup consists of 2x BA woofers, 4x BA midrange drivers and 2x BA tweeters. The woofers are from Knowles while the mid and high BA drivers have been produced in-house to Oriveti’s desired specifications. This is impressive, and has allowed Oriveti to really tune the sound of the OV800 to their specification.

The OV800 come with all-new stained wood faceplates, these look incredible in person and are sure to stand out in your collection. The new 8-wire SPC cable is supple and comfortable in use and elevates the sound too. The port on the earphones alleviates listening fatigue along with improving the soundstage, with out impacting the excellent isolation these provide.

The sound is tuned to be smooth and resolving, much like the O800, but this time Oriveti have incorporated tuning switches. These allow you to add a little more sub-bass presence for a warmer sound, or a little added treble brightness for increased presence and clarity. You can also turn both of these on for a slightly more v-shaped sound signature – so you can choose what you personally prefer.

You’ll be able to own a pair very soon: https://www.hifiheadphones.co.uk/products/oriveti-ov800-eight-drivers-balanced-armature-iem-earphones-with-sound-mode-switch-and-detachable-cable?

64 Audio Nio Review

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64 Audio’s latest hybrid creation give you a bit of everything, from studio neutrality to hard hitting bass, all the while retaining a very refined sound signature.

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Fit and Comfort

The Nio are the same shape as the rest of the 64 Audio universal line-up, which have quite an interesting shape and is a tried and tested design. Offering up smooth edges with a good length nozzle for a secure fit and great comfort. Once you settle on the right size tips for your ear canals, they fit securely with the new included cable being more ergonomic and comfortable.

Compatibility

With high sensitivity (105db dB/mW) and low impedance (6? @1kHz) the Nio are easy to drive out of most sources, and they use 64 Audio’s LID technology which means the sound signature shouldn’t drastically change beween sources. This isn’t to say they don’t benefit from higher end sources though, as things like resolution and detail are important and they definitely scale up with better source equipment.

The Nio use 64 Audio’s apex modules, these help relieve internal ear pressure along with offering different levels of isolation and also slightly different sound signatures. Normally you get an M15 and M20 module, which offer 15dB and 20dB reduction in outside noise respectively, by new for the Nio is the MX module which offers a mere 10dB reduction of outside noise. The more isolation, the more bass is the rough rule of thumb, and the lower the isolation the more open and airy the sound is.

Sound

Bass:

The low end on the Nio is very dynamic and depending on the module used you can range from full bodied to neutral in presence. One thing that always stands out on 64 Audio models is how well controlled and refined the sound is. They can offer up more than enough punch to satisfy most needs but the bass never becomes bloated. It offers a solid foundation for the rest of the sound, and is very articulate. There is great depth to the Nio, and the use of a dynamic driver here works really well here. The M20 module gives you a slight lift in sub-bass and moderately more mid-bass punch over the M15 which is more linear and the MX which is very controlled and not boosted. One thing that stands out here is the coherency and fluidity of which the bass blends in to the midrange.

Midrange:

Depending on the module used the lower midrange changes slightly, with the MX giving the most neutral and least coloured presentation whilst the M20 adds a little body and smoothness to the lower midrange that makes things sound a little fuller. The Nio has excellent control overall and the midrange is crisp and clean, yet tonally accurate. There isn’t any peak in the upper midrange to bring out sibilance, instead you get a linear and intimate insight into the recording. The layering is good and you can easily pick apart the recording without any difficulty. The MX definitely sounds like it reveals a bit more micro-detail over the M20, so it greatly depends on your personal preference.

Treble:

64 Audio are using their usual tia driver up top and these drivers really do offer up excellent resolution and an openness that other BA drivers fall short of. The M20 gives the smoothest sounding treble due to the increased bass response but it still has good presence and resolution. Using the MX still gives the most open and airy treble as would be expected but it never falls onto the side of being harsh or bright. There is refinement up top without sounding too present, yet there is excellent detail retrieval and effortless extension on hand. Overall the treble is always present, allowing the Nio to sound well balanced without any fatigue inducing spikes.

Genres and Soundstaging

The Nio is a superb all-rounder, due to the different Apex modules. The M20 giving you a full bodied sound with good impact while the M15 gives a well balanced and refined sound. In addition, the MX giving a close to neutral presentation without much emphasis on any part of the spectrum. This means they play well with pretty much anything you throw at them, the control down low and the layering means they don’t sound congested with complex mixes either.

The soundstaging varies slightly with the modules, with the MX giving the most air and space. But overall it is wider than it is tall and there is good separation between instruments and layers.

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Oriveti O400 Quad BA Earphone Review

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Oriveti have a new BA based model, the O400, with a subtle sub-bass lift and a focus on clarity and control.

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Fit and Comfort

The Oriveti O400 have a similar shell design as all the newer O and OH series from Oriveti – a hand crafted resin shell that is smooth and very well finished that has a fairly short nozzle which allows for a shallow to medium insertion depth. They fit well in the ear, but the housings are not the smallest and will stick out a little for those with smaller/odd shaped ears like me.

Comfort is good, the housing shape really helps with this as there are no sharp edges that dig in to your ears, also the nozzle is a good angle and lenght to fit most people securely without the insertion depth being too intrusive. The cable has a pre-moulded section of memory wire which is very comfortable, and the cable is soft and comfortable in use.

Compatibility

The O400 uses 4 Balanced Armature drivers, they are Knowles drivers and split between ultra-low/low-mid/mid-high/high frequencies. The O400 have an impedance of 15Ohms and a sensitivity rating of 110+-3dB/mW @1000Hz – this means they are very easy to drive however being an all BA based model it is best to pair them with a source that has less than 1Ohm output impedance to get the best out of them.

Sound

Bass: The O400 have 2 drivers covering the low end, they split up the sub and mid-bass and allow for a subtle sub-bass lift that doesn’t bleed through and affect the midrange or cause any unwanted resonance and bloat. Oriveti have managed to pull off a really impressive tuning down low, one that has a full and deep sub-bass response yet a tight and impactful mid-bass that always sounds controlled. There is never any warming to the lower midrange, allowing vocals and guitars to shine through with ease, these don’t have a high level of bass and it is well aligned with the rest of the frequency response – so they wouldn’t be my pick for bass-heads – however they do handle bass very well without any discernible roll-off.

Midrange: Due to the exceptional control of the low end, the midrange just cuts through with ease and clarity on the O400 – offering up a revealing yet easy to listen to midrange experience without harshness. For the price these extract an impressive amount of detail from the midrange, you won’t miss a thing yet they are very well balanced too. Male vocals don’t sound dull, female vocals are devoid of sibilance or excess presence, the transition into the treble is handled very well and nothing stands out. These have an effortless and clean midrange that seems to handle anything you throw at them without sounding congested.

Treble: The treble rounds off a really great presentation allowing for plenty of air and ambience, along with detail and sparkle without overdoing it and becoming thin/bright sounding. You won’t miss any cymbal taps or crashes, snares are incredibly snappy and violins are presented with finesse and grace. There is no early roll-off, they aren’t muted or splashy, they have great control and this really does help to make the O400 sound refined, open and clean.

Genres and Soundstaging

The O400 work well with pretty much anything you throw at them, they have a controlled and clean sound with a mild sub-bass boost that adds body and reinforces the low end without affecting other frequencies. However these are not bass heavy and would not be my first pick for more bass oriented genres (the OH500 does a better job with those).

Soundstaging isn’t huge, there is great air though and whilst it may be lacking in absolute width and heigh there is good depth to the sound and positional accuracy is a definite strong point of the O400.

Who are they for?

  • Those wanting a clean and transparent sound without the more typical analytical tuning
  • People who want a comfortable and enjoyable daily IEM

Conclusion

Oriveti have created a unique tuning with the O400, they have a clear and open sound that has a slight sub-bass lift that helps give the sound a solid foundation and adds a bit of body without adding bloat or overall warmth. This works really well and the O400 are a comfortable and easy to listen to daily IEM that offer up a lot of detail for their relatively low price, yet another excellent value for money model from Oriveti and one that I can easily recommend you try if you enjoy a more detail oriented earphone.

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64 Audio Duo IEM Review

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The 64 Audio Duo is possibly the best all-rounder UIEM in it’s price range. With a neutral and natural sound that is open and easy to enjoy.

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Fit and Comfort

64 Audio’s Duo shares the same shell shape as the rest of their universal line-up. However the faceplate is now a grill design instead of having the usual Apex module. This is due to the Apex Core technology implemented. The shape of the housing will fit most people well and once you settle on the right size of eartip they provide a secure fit for hours of listening.

Comfort is great due to the shape of the housing, insertion depth and also the new cable which is more flexible and comfortable than previous versions. One thing that I find massively contributes to 64 Audio’s comfort is the Apex modules/core as these relieve any internal pressure which creates a lot less listening fatigue when compared to fully sealed designs.

Compatibility

Whilst the Duo is a low impedance and high sensitivity IEM, they are also a relatively high-end earphone. Therefore they should be paired with a source that is able to bring the best out in them. This means they pair best with proper DAP’s and DAC/Amp combo’s rather than being driven solely by a mobile phone.

Features

64 Audio have included some new tech in the Duo. It uses a hybrid setup featuring a single Dynamic driver and single tia BA driver. The tia driver is a tubeless balanced armature driver. Which in turn allows the sound to travel more freely with less distortion. New to the Duo is the already mentioned Apex Core. Instead of using Apex modules like the rest of their line-up, the Duo isn’t tunable and has an open back style design. This leaves the shell open to the outside atmosphere allowing for a less fatiguing and more natural sound.

Next up is Wave Sync, this is direct from 64 Audio: “Due to the high crossover point between the two drivers, Wave Sync was developed to ensure coherence; another industry first. By using a type of “all-pass” filter, we’re able to introduce a crossover while correcting for time without having to change the physical distance between the drivers.”

All these features focus on making the sound more natural, effortless and distortion free. It’s great to see a company still innovating and finding solutions to problems. The Duo still isolate -12dB from outside noise so they are suitable for outdoor use, they just won’t isolate as much as full sealed designs.

Sound

Bass

64 Audio have long been kings of getting really impressive bass from balanced armatures, but they don’t do a lot of hybrid designs. The Duo is using a single dynamic driver down low which gives you a slightly different presentation than most BA models. Here we have a full and articulate low end that digs deep when needed but that can also keep up with complex mixes too. It has that signature dynamic tonality whilst never sounding slow. There is physicality in the punch, and warmth overall that is really pleasant. I would say these lean towards having a slightly more physical punchy sound over one that focusses more on sub-bass warmth. But the great thing here is that they do both well without encroaching on the midrange.

EDM tracks have plenty of drive down low, yet they still have control and articulation for faster rock and metal. Tonally these really hit the mark down low too with a realistic portrayal of bass frequencies.

Midrange

There isn’t any artificial boosting of the midrange on these. They have a linear lower-midrange which allows male vocals to cut through the mix with ease and little influence from the bass. Moving through the midrange there is great separation and layering. The centre image is very focussed and you can hear each layer of the recording with ease. The upper midrange is also superbly done, having enough bite to allow detail to cut through, without a boost to make them sound peaky or artificial.

The Duo have an open and natural midrange. It doesn’t matter if you are listening to acoustic or heavy rock, they just work well.

Treble

The tia drivers that 64 Audio use are renowned for their effortless presentation and resolution. And the Duo are no different. They have a little forwardness at times but due to their tonality it never comes across as harsh or bright. There is plenty of air and extension up top, but it is refined and never brash. They don’t try and impress you with too much presence. Instead they let the resolving and refined nature of them win you over. These are open and natural. There isn’t any metallic tone to the treble. Or glare for that matter. But this is done without muting the treble and making the Duo sound subdued or dull. These are still exciting and dynamic overall.

Genres and Soundstaging

The Duo are a remarkable all-rounder in my opinion. They do well with genres across the board due to having a relatively linear and balanced sound. The Duo has the punch required for EDM, and tactility for metal and subtlety for jazz/acoustic. They also sound very open and natural, making you want to listen more and more.

The soundstaging is great. These are sort of open back so they do have that benefit, but the sound is expansive yet very well focussed. The soundstaging is accurate and places instruments right where they should be. The sound is very whole and never sound diffuse or detached.

Who are they for?

  • People wanting a complete and natural sound without breaking the bank.
  • Those looking for a cheaper everyday alternative to TOTL models without sacrificing much in terms of sound

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Interested in all things 64 Audio? Check out more news and reviews here.

Final A-Series reviewed by Ear-Fidelity

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The Final A-series is a group of products created in the pursuit of “Transparent Sound”. This all began with the introduction of their highly praised flagship model, the A8000. Read on for Ear-Fidelity’s reviews for Finals recent additions to the lineup, the A4000 & A3000.

It is a known secret that both the Final A3000 and A4000 are IEM’s that perform way above their price points. Priced at £100 and £120, you really are getting more than you pay for.

With their generalised overview easing you in Ear-Fidelity goes into mighty detail with their reviews on the Final A-Series. Likewise, they even offer direct comparisons to really get your head around what they offer.

Comparing to the A4000, they conclude; “Just like with the A3000, the A4000 proves to push itself further than its asking price. The A4000 provides the listener with more bass engagement, a clean and presentable midrange. Above all, a highly detailed treble rendering.” The A4000 has even made it into Matz’s own recommended list!

Ear-Fidelity’s full reviews of both models can be read here: Final A3000 Review & Final A4000 Review

The A3000 and A4000 aim to “Deliver astonishingly natural sound with each sound image vividly localising over the comfortable and spatially spread low-range sound. The fine touch of the guitar and delicate vibrato of vocals can be clearly distinguished. You can get the feel of the fine nuance of musical tracks, and so new inspiration is borne even from a familiar playlist.”

Lastly, there are plenty of other reviews for many beautiful Final products on our site. You can check each and every single one out here: Final Reviews

Campfire Audios Andromeda, Ara and Solaris Podcast With The Curiosity Project

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Caleb Rosenau has sat down with The Curiosity Project  once more. But this time for a chat about Campfire Audios high end IEMs, The Andromeda, The Ara and The Solaris.

The Ara is an earphone well suited for the audiophile and reference listener

As the title states, Campfire Audios Caleb Rosenau has sat down with Omar once more to broaden his musical horizons.

“As part of Omars IEM journey Caleb suggested it was a good idea to have a listen to their highest end products. It didn’t take a lot of convincing for me. Brew a cup and join Omar and Caleb for a chat about high-end IEMs. What goes in to making them and what kind of audio experience can you expect for a £1500 IEM.”

Without further ado, the whole podcast can be listened to via Spotify here.

The Andromeda 2020: Their newest version allows you to enjoy a refined musical presentation, with clarity and resolution that can’t be missed

Oscar and John have obviously also spent some time with many Campfire Audio models. You can read Johns review of the Andromeda here and Oscars of the Solaris here. If videos are more your thing then we also have you covered! We have video reviews of all models on our youtube channel here.